![]() Heavyweights such as Johnny Clarke, Augustus Pablo, Bob Andy and Niney represent the label’s commitment to roots reggae Susan Cadogan, Dennis Brown and Louisa Mark fly the flag for lovers rock, while the original Stalag riddim (Stalag 17 by Ansell Collins) and Gregory Isaacs’ Love Is Overdue signpost how Trojan embraced the coming of dancehall. ![]() The first deejay recordings released outside Jamaica were on Trojan – U-Roy, who introduced Britain to toasting, is included here, as are King Stitt and Big Youth. The ever-adventurous Trojan was never afraid to take new ideas on board, and while its initial mainstream audience fell away as pop edged over to soul and disco, the label shifted nimbly to recapture its original crowd. The results as presented here are brilliantly varied, with a selection of reggae by the likes of the Rudies, Greyhound, Count Prince Miller, the Cimarons, Rico, Dandy Livingstone, King Horror, Nyah Tom and – a genuine curiosity – a tune by the Buster Pearson Band: years later, Pearson would be better known as Five Star’s dad. Step 2: Type Notepad in the Dialog Box and press Enter. This feels entirely appropriate, since UK reggae was always more experimental than its Jamaican counterpart and Trojan was never afraid to try “a t’ing” – if it didn’t work, that song/style would simply never see the light of day again. This kind of Prank Virus is easy to create with How to Make Trojan Virus. ![]() It was during this golden period that Trojan made a massive push to establish British reggae, a fair cross-section of which is on this box set’s Trojan Mix CDs, notably the Hits, Hidden Gems and Rarities disc. ![]()
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